Yıl 2015, Cilt 13, Sayı 1, Sayfalar 13 - 23 2015-04-06

SOULS IN EXILE AND LOST IDENTITIES IN HOTEL DU LAC

Yrd. Doç. Dr. Şeyda İNCEOĞLU [1]

382 399

In every age, women are intruded on by patriarchal society which breaks into their lives and their bodies, and so commodifies them, to be used and abused by the patriarchs as tools of the ideological male point of view. In Hotel du Lac, the protagonist Edith Hope, writer of romantic fiction under the pseudonym Vanessa Wilde, is sent to Hotel du Lac for rehabilitation since she reacts against the voices of patriarchal ideology. This study, establishing a connection between the setting and the atmosphere of the novel with that of detective fiction, will analyse Edith’s desire to be in control of her own life while ignoring patriarchal societal norms. The theory of the alienation of meaning in the detective story will be analysed in terms of the protagonist Edith Hope’s alienation both from herself and her society in which she is seen as a threat, either as a detective or a victim, who is awakened to the restoration of disembodied signs in the setting of Hotel du Lac
In every age, women are intruded on by patriarchal society which breaks into their lives and their bodies, and so commodifies them, to be used and abused by the patriarchs as tools of the ideological male point of view. In Hotel du Lac, the protagonist Edith Hope, writer of romantic fiction under the pseudonym Vanessa Wilde, is sent to Hotel du Lac for rehabilitation since she reacts against the voices of patriarchal ideology. This study, establishing a connection between the setting and the atmosphere of the novel with that of detective fiction, will analyse Edith’s desire to be in control of her own life while ignoring patriarchal societal norms. The theory of the alienation of meaning in the detective story will be analysed in terms of the protagonist Edith Hope’s alienation both from herself and her society in which she is seen as a threat, either as a detective or a victim, who is awakened to the restoration of disembodied signs in the setting of Hotel du Lac.
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Yazar: Yrd. Doç. Dr. Şeyda İNCEOĞLU

Bibtex
APA İNCEOĞLU, Y . (). . , 13 (1), 13-23. DOI: 10.18026/cbusos.02346
MLA İNCEOĞLU, Y . "". 13 (): 13-23 <http://dergipark.gov.tr/cbayarsos/issue/4078/53862>
Chicago İNCEOĞLU, Y . "". 13 (): 13-23
RIS TY - JOUR T1 - AU - Yrd. Doç. Dr. Şeyda İNCEOĞLU Y1 - 2015 PY - 2015 N1 - doi: 10.18026/cbusos.02346 DO - 10.18026/cbusos.02346 T2 - Celal Bayar Üniversitesi Sosyal Bilimler Dergisi JF - Journal JO - JOR SP - 13 EP - 23 VL - 13 IS - 1 SN - 1304-4796-2146-2844 M3 - doi: 10.18026/cbusos.02346 UR - http://dx.doi.org/10.18026/cbusos.02346 Y2 - 2019 ER -
EndNote %0 Celal Bayar Üniversitesi Sosyal Bilimler Dergisi %A Yrd. Doç. Dr. Şeyda İNCEOĞLU %T %D 2015 %J Celal Bayar Üniversitesi Sosyal Bilimler Dergisi %P 1304-4796-2146-2844 %V 13 %N 1 %R doi: 10.18026/cbusos.02346 %U 10.18026/cbusos.02346
ISNAD İNCEOĞLU, Yrd. Doç. Dr. Şeyda . "SOULS IN EXILE AND LOST IDENTITIES IN HOTEL DU LAC". Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 13 / 1 (Nisan 2015): 13-23. http://dx.doi.org/10.18026/cbusos.02346